Kaniyar Kali

Mudiyettu, Photo:Thulasi Kakkat

Natanakairali presents

Kanniyar Kali* by Shri. Dwaraka Krishnan and group on 2nd Jan 2012, 9 PM onwards at Natanakairali, Irinjalakuda

and

Mudiyettu* by Shri. Pazhur Manian Marar and group on 3rd January 2012, 9 PM onwards at Natanakairali, Irinjalakuda

Kanniyar Kali* is also known as Desathukali. It is a folk play that has both dance and theatre elements. Popular in the villages of Palaghat it used to be performed by the Nair community. However one of the main themes dealt with in the Kanniyar porattu is the criticism of the caste differences in society towards communities like Malayan, Kuravan etc who were one-time slaves and dependents of the feudal chieftains of the Malabar area in Kerala. The dance is fast moving and militant performed in the honour of the deity Bhagavathy.

* Mudiyettu is an ancient ritual theatre that depicts the mythological tale of a battle between the goddess Kali and the demons Darika and Danavendra. It is performed by marar and kurup communities in certain kavu-s of Kerala.  It is an example of the transition from ritual to theatre. It is the second among two of the artforms from Kerala to be declared by UNESCO as an Oral and Intangible Hertiage of Humanity.

Noh Master Shimizu Kanji

Natanakairali presents lecture demonstration by Noh Master Shimizu Kanji
Renowned Japanese Noh Theatre Master Shimizu Kanji will do a lecture Demonstration on the acting techniques of Noh theatre at Natanakairali’s Abhinayakkalari actors’ laboratory on 28th Dec 2011 at 6.30 PM. 

His talk will focus on the the stylistic and technical nuances of Noh acting with and without masks. He will also talk about the basic posture, use of voice and some selected portions from plays. Shimizu Kanji is a master teacher of Noh at Okinawa Prefectural University of the Arts (Okinawa kenritsu Geijutsu Daigaku, Okinawa, Japan). He is well trained in the traditional techjnique of Noh and at the same time has been involved in various experimental works as well.

In honour of the visiting guest artitses Natanakairali will host performances including ‘Parvativiraham Nangiar Koothu by Smt.Kapila Venu on 29th Dec at 6 pm, ‘Palatharamam naadangal – Mohiniyattam choreographed by Guru Nirmala Paniker based on Vylopilli’s poem by the same name on 30th Dec, Kaniyar Kali by Shri.Dwaraka Krishnan and group on 2nd Jan 2012at 9 pm, Mudiyettu by Shri.Manian Marar and group on 3rd Jan 2012 at 9 pm.

This interactive session will mark the beginning of a collaborative venture by Tokyo National University and Natanakairali aimed towards a deep research into the acting techniques of two great theatre traditions of the world, Kutiyattam and Noh theatre.

Pothiyil Renjith Chakyar, Photo: Manoj Parameswaran

Programme

Date: 1st to 12th January 2012

Venue: Madhava Natya Bhoomi, Ammannur Gurukulam, Irinjalakuda

1st January

5pm – Inaugaration of the 25th annual festival and commemoration of Guru Ammannur Parameswara Chakyar

Welcome address – Kalamandalam Rajeev, Secretary, Ammannur Gurukulam

Presided By : Ammannur Kuttan Chakyar, President, Ammannur Gurukulam

Inaugaration – Adv.Thomas Unniadan MLA

Chief Guest – Dr.Rajan Gurukkal

Lighting of the lamp – Smt. Sonia Giri(Chairperson, Irinjalakuda Municipality)

Talk about 25 years of Kutiyattam Mahotsavam by: G.Venu (Kulapathi, Ammannur Gurukulam)

Ammannur Paramwsewara Chakyar memorial speech – Painkulam Narayana Chakyar

Felicitations: Narayanan Embranthiri (Principal, Unnayi Warrier Smaraka Kalanilayam) , Raji Suresh (Councillor, Irinjalakuda Municipality)

Vote of Thanks: Kalamandalam Narayanan Nambiar (Treasurer, Ammannur Gurukulam)

Performance : Nangiar Koothu – ‘Chitrangada’ based on Tagore’s play Chitra – Kapila Venu

2nd January

11 am  - Kutiyattam workshop series for school children – Inaugarated by Smt.Nirmala Paniker(Director, Natanakaisiki Mohiniyatta Gurukulam)

5.30 pm – Talk by Kalanilayam Haridas – ‘Costume  in Kutiyattam’

6.30 pm – Nangiar Koothu – ‘Subhadraharanam’ – by Aparna Nangiar

3rd January

5.30 pm – Talk by Sooraj Nambiar – ‘Charibheda-s (choreographic patterns) in Kutiyattam’

6.30pm – Nangiar Koothu – ‘Govardhanodharanam” -  by Saritha Krishnakumar

4th january

5.30 pm – Talk by Aparna Nangiar – ‘Swara-s and their uses in Kutiyattam’

6.30 pm – Balivadham Day One – ‘Sriramante Purappadu’ by  Ganesh Krishna

5th January

5.30 pm – Talk by Kalamandalam Narayanan nambiar ‘History and ritualistic aspects of Mizhavu’

6.30 pm – Balivadham Day Two – Sriramante Nirvahanam by Vinod N Menon

6th January

5.30pm Talk by Kapila Venu – ‘Hastabhinaya in Kutiyattam’

6.30 pm - Balivadham Day Three ‘Sugreevante Purappadu’ by Ganesh Krishna

7th Januray

5.30 pm – Talk by Ammannur Rajaneesh Chakyar ‘The femininity of Surpanakha’

6.30 pm – Balivadham Day Four – Sugrivante Nirvahanam by Ammannur Madhav

8th january

5.30 pm – Talk by Kalamandalam Rajeev – ‘The role of drumming in the Abhinaya in Kutiyattam’

6.30 pm – Balivadham Day Five Kutiyattam – Cast: Sugreevan-Sooraj Nambiar; Sriraman- Pothiyil Renjith Chakyar; Lakshmanan- Ammannur Madhav; Hanuman-Ganesh Krishna; Bali-Ammannur Rajaneesh Chakyar; Thara-Keerthi Sagar; Angadan-Vinod N Menon

9th January

5.30 pm – Talk by Kalamandalam Hariharan ‘ Training in Mizhavu drumming’

6.30 pm – Kutiyattam ‘Kalyanasaugandhikam’ – Cast: Bhimasenan-Ammannur Kuttan Chakyar; Krodhavashan-Ammannur Rajaneesh Chakyar; Vidyadharan-Sooraj nambiar; Gunamanjari-Archana nandakumar; Hanuman-Pothiyil Renjith Chakyar

10th January

5.30 pm – Talk by Kalanilayam Unnikrishnan ‘Role of Edakka drumming in kutiyattam’

6.30 pm – ‘Thoranayudham’ Day One- Cast: Shankukarnan-Ammannur Rajaneesh Chakyar; Vijaya-Gayathri P; Ravanan-pothiyil Renjith Chakyar

11th January

5.30 pm – Talk by Pothiyil Renjith Chakyar – ‘The possibilities of Ilakiattam in Kutiyattam’

6.30 pm – Thoranayudham Day Two – Cast: Shankukarnan-Sooraj Nambiar; Ravanan-Vinod N Menon

12th January

5.30 pm – Open discussion’The future of Kutiyattam’ practitioners and spectators will participate

6.30 pm – Kutiyattam ‘Thoranayudham’ Day Three – Cast: Ravana-Pothiyil Renjith Chakyar; Vibhishana-Ammannur Madhav; Hanuman-Sooraj Nambiar

Accompanying Artistes – Mizhavu: Kalamandalam Rajeev; Kalamandalam Hariharan; Kalamandalam Narayanan Nambiar; Kalamandalam Ratheesh Bhas; Kalamandalam Ravikumar; Kalamandalam Vineesh; Kalamandalam Jayaraj; Kalamandalam Manikantan; Kalamandalam Shivadas Nambiar

Edakka: Kalanilayam Unnikrishnan; P Nandakumar; Kalanilayam Kaladharan

Thalam: Smt.Nirmala Paniker; Aparna Nangiar; Kapila Venu;  Saritha Krishnakumar;  Keerthi Sagar;  Gayathri P; Archana Nandakumar

Chutti: Kalanilayam Parameswaran; Kalanilayam Hridas

Backstage assistance – Kalamandalam Shivadas Nambiar

Co-ordination – K R Sankaran

for further details please contact:

Ammannur Gurukulam, Chachu Chakyar Road, Irinjalakuda- 680121\Ph: 0480- 2823140, 99475 50136, 9947857551

ammannurgurukulam@gmail.com

Guru Nirmala Paniker

Mohiniyattam

Mohiniyattam which originated and developed in Kerala is one of the most beautiful Lasya dance forms of India. During the moment of desire of creation, the goddess took the form of Nateshwari /Mohini and danced the ’Sukumara’ graceful (Lasya) dance to attract   Shiva, who is mostly engrossed in deep meditation.

That is the first Lasya dance of Mohini with importance given to Shringara  Rasa, that we can find in the Puranas. The uniqueness of Mohiniyattam is that it still upholds without losing, many of the techniques of the dance style that was being performed since ancient times, mentioned in Puranas that of Adi Bhagavathi for creation of the universe and followed by Maha Vishnu for safeguarding the virtue and ensuring the sustenance of the universe. Natyasastra also says Parvathy is the first danseuse of Lasya. There in lies its importance and relevance.

The uniqueness of Mohiniyattam is that it still upholds without losing, many of the techniques of the dance style that was being performed since ancient times, mentioned in Puranas that of Adi Bhagavathi for creation of the universe and followed by Maha Vishnu for safeguarding the virtue and ensuring the sustenance of the universe. Natyasastra also says Parvathy is the first danseuse of Lasya. There in lies its importance and relevance.

Programme

26^th December

Inauguration –Dr.Krishna Moorthy(Director,I.C.C.R.,Govt.Of India)

Talk by- SWAMY HARI OM ANANDA

Mohiniyattam –    Ganapathy  sthuti, Arjuna Darsanam, (From Tagore’s Chitra)

(sponsored by ICCR Regional Office, Thiruvananthapuram)

27^th December

Mohiniyattam -Arangettam of  Sudharma Periyath

Disciple of  Smt.Nirmala Paniker, Natanakaisiki.

28^th December

Talk by  Smt.  Nirmala Paniker

Mohiniyattam –  Cholkettu,  Jathiswaram, Padam  ,Thillana and Saptham

29^th December

Talk by Sri. G. VENU

Nangiar Koothu by Kapila Venu

30^th December, 2011

Mohiniyatta Saptham (Malanadu –  Lyrics  fromVylopilly Sreedhara Menon’s poem”Palatharamam  Nadangal”)

Young danseuses of  Natanakaisiki

Umadevi, Sandra, Sangeetha, Sudharma Periyath,  Parvathy Sreevallabhan, Greeshma.

Atmaja   Menon, Hridya Haridas,  Gayathri Satheesan,  Chaithanya  Nadan,  Mrudula,  Medha,  Rudra Priya.

Guru-Smt.Nirmala Paniker

VOCAL: Sree Neelamperoor  Suresh Kumar and Sanathana Shenay

MADALAM : Kalanilayam Prakasan

FLUTE : Chalakudy Regunath, Irinjalakuda Visakhan

NATTUVANGAM : Smt. Nirmala Paniker and disciples

For Details : NIRMALA PANIKER

Director

Natanakairali

Mohiniyattam Gurukulam of Natanakairali

Irinjalakuda, KERALA 680 121

PHONE : 0480 2825559

Mobile: 9946649358

Pavakathakali, Photo: Thulasi Kakkat

(from 3^rd to 11^th  December 2011)

Date :    December 3^rd   

Time:  10 AM Workshop  ;    6 PM Performance  

Play:      KALYANASAUGANDHIKAM   ,          DHAKSHAYAGAM   

Venue:  Mariyamman Kovil, Kavuthiyam Parambu, Pandarathara, Palakkad

Date : 4^th Dec   

Time : 3 pm workshop ; 6 pm Performance

Play: Kalyanasaugandhikam , Duryodhanavadham

Venue: Mariyamman Kovil, Kanjirakunnam, Pandarathara, Kodumbu, Palakkad

Date : 5^Th Dec   

Time: 5 pm Performance

Play: Kalyanasaugandhikam, Duryodhanavadham

Venue: Poomulli Mana, Peringode, Palakkad

Date : 6^th Dec   

Time: 5 pm Performance

Play: Kalyanasaugandhikam, Duryodhanavadham

Venue: Kothara Mana, Kothara, Palakkad

Date : 7^th Dec   

Time: 5 pm Performance

Play: Kalyanasaugandhikam, Duryodhanavadham

Venue: Valiyaparakkad Tharavadu, (organised by Veerapalasi Samsakarika Kendram, Puthushakthi Arts Club, Kulukkalloor)

Date : 8^th Dec   

Time: 5 pm

Play: Kalyanasaugandhikam, Duryodhanavadham

Venue : Vishwambhara Kshetram, Kottakkal Arya Vaidya Shala, Kottakkal, Malappuram

Date : 9^th Dec   

Time: 5 pm

Play: Kalyanasaugandhikam, Duryodhanavadham

Venue: Azhvancheri Mana, Athavanadu, Malppuram

Date : 10^th Dec   

Time: 5 pm

Play: Kalyanasaugandhikam, Duryodhanavadham

Venue: Thavanur Mana, Thavanur, Malappuram

Date  : 11^th Dec  

Time: 11 am performance, Venue: Gramika, Kuzhikkaattusseri

Play: Kalyanasaugandhikam, Duryodhanvadham

Time: 5 pm

Play: Kalyanasaugandhikam, Dakshayagam

Venue: Natanakairali, Ammannur Chakyar Madhom, Irinjalakuda, Thrissur

Concept and Introduction            : Venu.G

Representing IGNCA                   : Rajinder Singh

Workshop                                  :RaviGopalan Nair

Convener                                  : K.Sreenivasan

Reception                                  : K.R. Sankaran

Stage decoration                        : Narayanankutty

Puppeteers                                : K.V. Ramakrishnan

: K.C. Ramakrishnan

:RaviGopalan Nair

: K. Sreenivasan

: Kalanilayam Haridas

Chenda                                     : V. Thakappan

Singing                                      : Kalanilayam Ramakrishanan

Edakka                                      : Kalanilayam Unnikrishnan

Observation                               : Kapila Venu

Pavakathakali plays  – Kalyanasaugadhikam

Duryodhanavadham

Dakshayagam

(Directed by G.Venu)

Documentation :  Media Centre Indira Gandhi National Centre for the Arts,New Delhi

News released by                                                      Enquiries

Natanakairali                                                            0480 2825559

Ammannur Chakyar Madhom                       G.Venu   :  9846452933

Irinjalakuda – 680 121, Thrissur                  K.Sreenivasan:9447617568

Kerala.

E-mail: natanakairali@gmail.com

            abhinayakairali@gmail.com

For further details on pavakathakali :-

http://www.natanakairali.mimemo.net/www.virali.org/www.narthaki.com/info/articles/art157.html / www.indiansinparis.com/blog/roots/377-pavakathakali-kerala/

Chamu Pandaram and Velayudhan Pandaram (Photo courtesy: Sangeet Natak Akademi)

Raudrabheema from the play Duryodhanavadham

Pavakathakali, or Puppet Kathakali is an art form that has had its share in making Kathakali, the Classical Dance Theatre of Kerala, popular even from the time of its evolution.  It is possible to see in different regions across cultures the puppet version of their important art forms.  Bunraku is thus the puppet version of the Japanese Kabuki; the Chinese puppet theatre has elements that compare with theBeijingOpera.  The dance drama Yakshagana from Karnataka inIndiahas with regional variations its incarnation in the Yakshagana puppet.  The fact underlined is that when children and adults see a character unfold through puppets, it leaves a strong impression in their minds.

In olden times, puppeteers all over the world travelled a lot.  They would bundle up their puppets and travel across villages, from house to house and perform in the domestic space for children and adults.  When such itinerant performers arrived in the ancestral homes, the hosts paid a lot of attention to take care of their needs for the performances generated a lot of excitement in children.

In Kerala, for the Aandipandaras, such performances are traditionally the means of their livelihood.    There continue to be some families of such itinerant performers in Paruthippulli and Kodumbu villages in Palakkad.  Though they had migrated from Andhra Pradesh many centuries back and settled here, their mother tongue continues to be Telugu.  The means for their main source of income was to offer puja in households for Lord Subramanya and guide pilgrims on their way to Palani.  Apart from this, some of them were good in various types of performances.  It was a small group from among these who worked as puppeteers.  It is believed that they came from Andhra Pradesh via Tamil Nadu and settled in Kerala.  When they reached Kerala, they used to perform the Aryamaala, the Tamil folk drama as puppet show.  Later when Kathakali became popular in Kerala, they carved Kathakali figures, studied the text and shaped it to make it their own art form.  They did get a lot of encouragement and acceptance for this.

In the modern period, at least till the 1960s, Pavakathakali was very much alive.  Chamu Pandaram was a noted artist in the twentieth century.  A troupe from Paruthippulli village under the leadership of Chamu Pandaram travelled from household to household with their performances covering regions till the Purnathrayeesha temple in Thripunithura.   Kamaladevi Chattopadhyay who happened to see two such puppets in the museum in Thrissur first underlined the need to revive this art form.  She was instrumental in providing the impetus and support to revive most of the puppet forms inIndia.  Later, she entrusted Venu G to continue with research in this area.  Acharya Krishnankutty Pulavar, the leather puppetry maestro’s help was instrumental in getting to know that Chamu Pandaram and his troupe were in Paruthippulli village.

In 1972, with the help of the documentation officer Govind Vidyarthi of Sangeet Natak Akademi,New Delhi, the Paavakathakali of Chamu Pandaram was filmed in 16mm.  It can be said that this was the only documentation of Paavakathakali during that period.  In 1980, according to the suggestions of Kamaladeviji, there was an elaborate survey that Venuji undertook.  Then with the help of K.V. Ramakrishnan, the nephew of Chamu Pandaram, many puppets and other details were collected.  When the training programme for reviving Pavakathakali was initiated by the Sangeet Natak Akademi in 1982, the main performers Chamu Pandaram and his colleague Velayudhan Pandaram had passed away.  Only K.V. Ramakrishnan, the son of Velayudhan Pandaram, K.C. Karuppan, K.C. Ramakrishnan, the children of Chamu Pandaram, percussionist V. Thankappan remained in the traditional family who could just about handle the art form.  But none of them had the expertise to make puppets.  Thottassery Narayanan, Kathakali artist and costume designer took it on himself to make the puppets studying the old puppets.  Six students were selected from Puthuppulli and Kodumbu villages for training.  Ravi Gopalan Nair was the student who studied the art of making puppets.

The overall responsibility of training was in Venu.G known for his knowledge of Kathakali and Pavakathakali.  The venue for training was provided by Vijnanakalavedi, the Chengannur based Kathakali Vidyalayam.  After almost one year, the venue was shifted to Natanakairali, Irinjalakuda. Since those students selected for training from the Aandi Pandaram family went for training in other professions, they were not available for Pavakathakali.

In 1984 when Venu.G choreographed the story of Kalyana Sougandhikam for Pavakathakali revived by Kamaladeviji, it was presented at the India International Centre,New Delhi.  Following this Duryodhanavadham, Dakshayagam and Utharaswayamvaram were also choreographed.   Pavakathakali had numerous stages inIndiaand abroad and became popular across the world.  At present, there is only a small troupe at Natanakairali to preserve this art form at present.  This troupe has at present K.V. Ramakrishnan, K.C. Ramakrishnan, Ravi Gopalan Nair, K. Srinivasan, V. Thankappan, and Kalanilayam Ramakrishnan.   With the national award from the Kendra Sangeet Natak Akademi to K.V. Ramakrishnan and K.C. Ramakrishnan in 2011 and the Dakshina Chitra Viruthu award for Ravi Gopalan Nair, this art form has received a boost for its morale.

It is imperative to nourish and nurture a new generation in Pavakathakali.  This kind of working with art forms is not a way to earn one’s living.  Only those who have a regular job and can handle this art form simultaneously can properly train in this.  Rigorous training for at least six years is essential if one has to ably perform with rhythmic modulations and gain mastery over the art.

We have scheduled a programme from 3 -12, Dec 2011 with a fervent hope to attract public attention and also reach out to those who have an inclination towards Pavakathakali.     The programme will be organized retracing the steps to the times when Chamu Pandaram went around with his troupe.  The venues will include Paruthippulli, Kodumbu, Poomullimana, Kothara, Kulukkalloor, Kottakkal, Azhvancherimana, Tavanur and Irinjalakuda.  The Indira Gandhi National Centre for the Arts has extended help to realize this venture and will also document the performances and workshops.  We earnestly hope that this second phase of activities for the revival of Pavakathakali will become an important milestone for its growth.

Detailed Itinerary will be posted shortly.

(Organized with the financial assistance from the Ministry of Culture, Government of India)

Revised program

Synopsis and cast: download the printfriendly pdf file here:

SAKUNTALAM_KUTIYATTAM_KALIDASASNRITI_10thAnniv.pdf

NATYASASTRA – Lecture Series

ABHIJNANA SAKUNTALAM – Performance

Natana Kairali, Irinjalakuda will celebrate the tenth anniversary of the staging of Sakuntalam Kutiyattam, directed by G.Venu and presented for the first time in January, 2002, with year-long programs dedicated to the memory of the great poet Kalidasa. The programs will begin on July 23, 2011 with a four-day-long performance of Sakuntalam Kutiyattam, accompanied with a Lecture Series on Natyasastra and the Kalidasa plays.

The lectures will last for about 2 hours every day, with provision for discussion and rising of any doubts at the end.

The event Kalidasa smriti will be inaugurated by Adv. Thomas Unniyadan MLA on July 23rd at 6 PM, with Ms. Sonia Giri, Chairperson, Irinjalakuda Municipal Corporation, presiding over the function.

On 25th July for the third day presentation of Abhijnana Sakuntalam  Dr. P.N. Suresh (Acting Vice Chancellor, Kerala Kalamandalam Deemed university)  has kindly agreed to be our  guest of honour.

NATYA SASTRA AND KALIDASA PLAYS - (Lecture Series)

July 23, 10 AM  :  Dr. N.P. Unni  (Former Vice Chancellor, Sreesankaracharya Samskrit University)

July 24, 10 AM  :  Prof. Thuravoor Viswambharan

July 25, 10 AM  :  Dr. K.G. Paulose  (Former Vice Chancellor, Kerala Kalamandalam Deemed University)

July 26, 10 AM  : Dr. C. Rajandran  ( Professor  of Sanskrit,  University of Calicut)

ABHIJNANA SAKUNTALAM – Performance

Sakuntalam Kutiyattam, which is about 13 hours long, has been performed in 112 venues all over the world so far, including many full length performances lasting 3 – 4 days. At Rome, Paris and National School of Drama, New Delhi, ‘Sakuntalam’ was performed continuously for 10 and a half hours in a day. The Malayalam channel of the Doordharsan Kendra has documented  the entire play and telecast as 29 episodes.

1. 1.July 23rd at 6 PM – First Day (First Act)
2. 2.July 24th at 6 PM – Second Day (Second Act)
3. 3.July 25th at 6PM – Third Day (Fourth, Fifth and sixth Acts)
4. 4.July 26th at 6pm – Fourth Day (Sixth and seventh Acts)

Ravi Gopalan Nair and K C Ramakrishnan, photo by Sreeni Sreedharan

K V Ramakrishnan and K C Ramakrishnan

Senior Pavakathakali artistes at Natanakairali – Research and Performing Centre for Traditional Arts,  K.V.Ramakrishnan, K.C.Ramakrishnan and Ravi Gopalan Nair have been awarded this year.

K.V Ramakrishnan and K.C Ramakrishnan have been jointly selected for this year’s CentralSangeet Natak Akademi Award for their valuable lifetime contributions towards the artform. The award comprises of Rs.One Lakh, Citation and Angavasthra.

Ravi Gopalan Nair, puppeteer, puppetmaker and performer trainer is being awarded byDakshinachitra, Chennai for lifetime excellence in the field of performing arts.

K.V Ramakrishnan and K.C.Ramakrishnan are sons of the late Pavakathakali artistes Velayudhan Pandaram and Chamu Pandaram of Paruthipully village in Palakkad district. They used to perform Pavakathakali from house to house. It was through the resuscitation of this indigeneous folk artform that was underatken at Natanakairali from 1982 that the artform got a new lease of life. Both these artistes had participated as master puppeteers in presenting the pavakathakali plays including Kalyanasaugandhikam, Duryodhanavadham and Dakshayagam directed by G.Venu at Natanakairali. They have performed at many venues in India and abroad.

Ravi Gopalan Nair, Wooden Puppet maker, Puppeteer, Wooden Mask maker, Performer trainer, Photographer, Artistic Director for many of the Performing groups of Kerala and West Bengal., He has been trained by his father ,Gopalan Nair reputed artist in painting sculpture and photography.He worked as an assistant to G.Venu (Director of Natana Kairali the work on revival of lesser known traditional arts of Kerala including Pava Kathakali.). 1981 -1983 he was selected in the revival project of Pava Kathakali as a trainee in Puppet making, and  the manipulation.With the Financial support of Prohelvatia (the ministry of culture in Switzerland), he studied and practiced the avant-garde theatre movements of Europe with main focus on the Para – Theatre work of Jerzy Growtosky.He has worked with several other traditional artforms, travelled extensively performing and participating in several imporatnt festivals, symposiums etc in India and abroad.

Pavakathakali is a form of glove puppetry presented by moving the puppets using fingers. It is known as the Kathakali for children. The Natanakairali Pavakathakali troupe performed  recently at Indira Gandhi National Centre for Arts and Sangeet Natak Akademi, New Delhi

Presents

24^th KUTIYATTAM MAHOTSAVAM

Date: 1^st to 12^th January 2011

Time: 6pm

Venue: Madhavanatyabhoomi, Ammannur Gurukulam, Irinjalakuda

01.01.2011

Inaugaration

Welcome: Kalamandalam Rajeev (Joint Secretary, Ammannur Gurukulam)

Presidential Address: Ammannur Kuttan Chakyar (President, Ammannur

Gurukulam)

Inauguration and honouring the chief guest: Smt. Sonia Giri (Chairperson, Irinjalakuda municipality)

Introducing the chief guest: Gopal Venu (Secretary, Ammannur Gurukulam)

Ammannur Parameswara Chakyar Memorial speech: Kidangur Rama Chakyar(Chief guest)

Vote of thanks: Kapila Nagavallikkunnel

Subhadranuragam

Nangiarkoothu by Aparna Nangiar

02.01.2011

Kutiyattam Urubhangam

Baladevan: Pothiyil Ranjith Chakyar

Duryodhanan: Sooraj Nambiar

Gandhari: Kapila Nagavallikkunnel

Ashwatthama: Ammannur Rajaneesh Chakyar

Directed by Gopal Venu

03.01.2011

Purappadu of Kalyanasaugandhikam

Bhiman: Ammannur Madhav

04.01.2011

Nirvahanam of Kalyanasaugandhikam

Bhiman: Ammannur Rajaneesh Chakyar

05.01.2011

Kutiyattam Kalyanasaugandhikam ( Purvabhagam)

Bhiman: Ammannur Rajaneesh Chakyar

Krodhavasan: Pothiyil Ranjith Chakyar

06.01.2011

Kutiyattam Kalyanasaugandhikam ( Vidyadharan Purappad)

Kalyanakan: Sooraj Nambiar

Gunamanjari: Aparna Nangiar

07.01.2011

Kutiyattam Kalyanasaugandhikam ( Uttarabhagam)

Bhiman: Sooraj Nambiar

Hanuman: Pothiyil Ranjith Chakyar

Kalyanakan: Ammannur Rajaneesh Chakyar

Gunamanjari: Gayathri P.

08.01.2011

Asokavanikamkam – Panadrupam

Ravanan: Ammannur Kuttan Chakyar

09.01.2011

Kutiyattam Jatayuvadham

Mayaraman: Pothiyil Ranjith Chakyar

Sita: Saritha Krishnakumar

Mayalakshmanan: Ganesh Krishna

Ravanan: Ammannur Rajaneesh Chakyar

Sootan: Vinod Menon

Jatayu: Sooraj Nambiar

10.01.2011

Kaliyamardanam

Nangiarkoothu by Saritha Krishnakumar

11.01.2011

Akruragamanam

Nangiarkoothu by Kapila Nagavallikkunnel

12.01.2011

Kutiyattam Balivadham

Sugrivan: Sooraj Nambiar

Bali: Pothiyil Ranjith Chakyar

Tara: Archana Nandakumar

Accompaniment

Mizhavu: Kalamandalam Rajeev, Kalamandalam Hariharan, Kalamandalam Narayanan

Nambiar, Kalamandalam Rateesh Bhas, Kalamandalam Ravikumar,

Kalamandalam Anoop, Kalamandalam vineesh, Kalamandalam  Jayaraj

Idakka: Kalanilayam Unnikrishnan, P.Nandakumar, Kalanilayam Kaladharan,

Kalanilayam Rajan

Talam: Natanakairali Nirmala Paniker, Keerthi Sagar, Gayathri,

Archana Nandakumar

Make-up: Kalanilayam Parameswaran, Kalanilayam Sankaranarayanan,

Kalanilaym Haridas

Contact:

The Secretary,

Ammannur Chachi Chakyar Smaraka Gurukulam,

Chachu Chakyar Rd.,

Irinjalakuda 680 121

Ph: 0480 2823140, 0480 2825559